Pierre Boulez

Pierre Boulez (26 Mart 1925, Montbrison Loire – 5 Ocak 2016, Baden-Baden), Fransız besteci, koro şefi, yazar ve piyanist.

Pierre Boulez (2004)
Pierre Boulez (1968)

Biyografisi

İlk yılları

Boulez 26 Mart 1925'te Montbrison, Loire, Fransa'da dünyaya geldi. Katolik olarak yetiştirildi ancak sonradan ateist oldu.[1] Çocukluğunda piyano dersleri ve matematik dersleri almaya başladı. Daha sonra Lyon'da müzik eğitimine devam etti. Ardından Paris Konservatuvarı'nda Olivier Messiaen ve Andrée Vaurabourg'un altında müzik kariyerine devam etti .[2]

Seçilmiş eserleri
  • Piano Sonata No. 1 (1946)
  • Le visage nuptial (soprano, alto, 1946/51/88–89)
  • Piano Sonata No. 2 (1947–48)
  • Le soleil des eaux (soprano solo, mixed choir, orchestra, 1948/50/58/65)
  • Livre pour quatuor (string quartet, 1948–49, rev. 2011–12)
  • Polyphonie X (1951)
  • Structures, Livres I et II
  • Le marteau sans maître
  • Piano Sonata No. 3 (1955–57/63 ...)
  • Pli selon pli (soprano ve orkestra , 1957–89)
  • Figures, doubles, prismes (1957–68)
  • Éclat/Multiples (ensemble, 1965–70)
  • Domaines (clarinet solo, 1968–69)
  • Domaines (clarinet , 1968–69)
  • Cummings ist der Dichter
  • Rituel: In Memoriam Bruno Maderna (1974–75)
  • Messagesquisse (yedi çello, 1976–77)
  • Notations (1978/1999–...)
  • Répons 1980–84
  • Dialogue de l'ombre double 1982–85
  • Dérive 1 (1984)
  • Dérive 2 (1988–2006)
  • ...explosante-fixe...
  • Sur Incises 1996–98
  • Dialogue de l'ombre double 1985/1995
  • Anthèmes 2, 1998
  • Une page d'éphéméride (piano, 2005)

Bibliyografi
  • Anon. 2008. "Pierre Boulez—Every Composer Chooses His Fathers". In Talking to Kinky and Karlheinz—170 Musicians Get Vocal on the Music Show, edited by Anni Heino, 254–62. Sydney: ABC Books. ISBN 978-0-7333-2008-8.
  • Barulich, Frances. 1988. "Pierre Boulez by Dominique Jameux; Pierre Boulez und sein Werk by Theo Hirsbrunner; Pierre Boulez: A Symposium edited by William Glock; Orientations: Collected Writings by Pierre Boulez edited and with an introduction by Jean-Jacques Nattiez and translated by Martin Cooper; Éclats/Boulez edited by Claude Samuel with the collaboration of Jacqueline Muller; Pierre Boulez: Eine Festschrift zum 60. Geburtstag am 26. März 1985 edited by Josef Häusler; Boulez in Bayreuth/Boulez à Bayreuth: Der Jahrhundert-Ring/The Centenary 'Ring'/Le 'Ring' du centenaire Histoire d'un 'Ring' Entretiens sur la 'Tétralogie du centenaire': Pierre Boulez, Jeffrey Tate, Jean-Jacques Nattiez" [book review]. Notes 2nd series, 45, no. 1 (September): 48–52.
  • Blaustein, Susan. 1989. "The Survival of Aesthetics: Books by Boulez, Delio, Rochberg". Perspectives of New Music 27, no. 1 (Winter): 272–303.
  • Boulez, Pierre. 1971. Boulez on Music Today, translate by Susan Bradshaw and Richard Rodney Bennett. Cambridge, Mass.: Harvard University Press. ISBN 0-674-08006-8; London: Faber. ISBN 0-571-09420-1
  • Boulez, Pierre 1981. Orientations: Collected Writings, collected and edited by Jean-Jacques Nattiez, translated by Martin Cooper. Cambridge, MA: Harvard University Press. ISBN 0-674-64376-3. New edition, translated by Martin Cooper from the second French edition of Points de repère, London and Boston: Faber & Faber, 1986. ISBN 0-571-13811-X (cased); ISBN 0-571-13835-7 (pbk).
  • Boulez, Pierre. 1986. "Sonate, que me veux-tu?" (1960). In his Orientations: Collected Writings, translated by, 143–154. London: Faber and Faber. ISBN 0-571-14347-4.
  • Boulez, Pierre. 1991a. "Schoenberg is Dead" (1952). In his Stocktakings from an Apprenticeship, collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 209–14. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-311210-8
  • Boulez, Pierre. 1991b. "Possibly..." (1952). In his Stocktakings from an Apprenticeship, collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 111–40. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-311210-8
  • Boulez, Pierre. 1991c. "Alea" (1957). In his Stocktakings from an Apprenticeship, collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 26–38. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-311210-8
  • Boulez, Pierre. 1995. Points de repère. I: Imaginer, edited by Jean-Jacques Nattiez and Sophie Galaise, with the collaboration of Robert Piecikowski. Musique/passé/présent. Paris: Bourgois.
  • Boulez, Pierre. 2005a. Points de repère. II: Regards sur autrui, edited by Jean-Jacques Nattiez and Sophie Galaise. Musique/passé/présent. Paris: Bourgois.
  • Boulez, Pierre. 2005b. Points de repère. III: Leçons de musique: Deux décennies d'enseignement au Collège de France, edited by Jean-Jacques Nattiez, preface by Jonathan Goldman, foreword by Michel Fouculta. Musique/passé/présent. Paris: Bourgois.
  • Boulez, Pierre, and Dan Albertson. 2007. ". . .'ouvert', encore. . .". Contemporary Music Review 26, nos. 3–4 (June–August):.339–40.
  • Burnham, Scott G. "Beethoven, Ludwig van, §19: Posthumous influence and reception (iii) Political reception.", Grove Music Online, ed. L. Macy. (Subscription access).
  • Di Pietro, Rocco. 2001. Dialogues with Boulez. Lanham, Md.:The Scarecrow Press, Inc. ISBN 0-8108-3932-6
  • Ewen, David. 1971. "Pierre Boulez". In David Ewen, Composers of Tomorrow's Music: A Non-technical Introduction to the Musical Avant-garde Movement, 78–93. New York: Dodd, Mead & Co. ISBN 0-396-06286-5
  • Griffiths, Paul. 1973. "Two Pianos: Boulez, Structures, Book 2". The Musical Times 114, no. 1562 (April): 390.
  • Griffiths, Paul. 1995. Modern Music and After: Directions Since 1945. London: Oxford University Press. ISBN 0-19-816578-1 (cloth); ISBN 0-19-816511-0 (pbk)
  • Harvey, Jonathan. 1971. "A Clear View". Musical Times 112, no. 1540 (June): 557.
  • Hayes, Malcolm. 1992. Review of Stocktakings from an Apprenticeship by Pierre Boulez; Stephen Walsh. Tempo new series, no. 180 (Mar. 1992): 29–30.
  • Heinemann, Stephen. 1993. "Pitch-Class Set Multiplication in Boulez's Le Marteau sans maître". DMA thesis. Seattle: University of Washington.
  • Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice". Music Theory Spectrum 20, no. 1 (Spring): 72–96. Abstract (accessed 17 June 2008)
  • Hopkins, G. W., and Paul Griffiths. 2006. "Pierre Boulez", Grove Music Online ed. L. Macy. (Subscription access)
  • Humbertclaude Eric. 1999. La Transcription dans Boulez et Murail : de l'oreille à l'éveil, Paris: Harmattan. ISBN 2-7384-8042-X
  • Jameux, Dominique. 1991. Pierre Boulez, translated by Susan Bradshaw. Cambridge, Mass.: Harvard University Press. ISBN 0-674-66740-9 London: Faber. ISBN 0-571-13744-X.
  • Kimmelman, Michael. 2010. "Boulez's Gentler Roar". New York Times (6 January) (Accessed 22 January 2013).
  • Koblyakov, Lev. 1977. "P. Boulez Le marteau sans maître: Analysis of Pitch Structure". Zeitschrift für Musiktheorie 8, no. 1:24–39.
  • Koblyakov, Lev. 1981. "The World of Harmony of Pierre Boulez: Analysis of Le marteau sans maître". Ph.D. diss., Hebrew University of Jerusalem.
  • Koblyakov, Lev. 1990. Pierre Boulez: A World of Harmony. Contemporary Music Studies 2. Chur, Switzerland, and New York: Harwood Academic Publishers. ISBN 3-7186-0422-1
  • Ligeti, György. 1960. "Pierre Boulez: Decision and Automatism in Structure Ia." Die Reihe 4 (Young Composers): 36–62. (Translated from the original German edition of 1958.)
  • McNamee, Ann K. 1992. "Are Boulez and Stockhausen Ready for the Mainstream? A Review". Musical Quarterly 76, no. 2:283–91. |DOI:10.1093/mq/76.2.283
  • Mosch, Ulrich. 1997. "Wahrnehmungsweisen serieller Musik". Musiktheorie 12:61–70.
  • Mosch, Ulrich. 2004. Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' Le Marteau sans maître. Saarbrücken: Pfau-Verlag. ISBN 3-89727-253-9
  • Obrist, Hans Ulrich, and Philippe Parreno. 2008. "An Interview with Pierre Boulez". In Sound Unbound: Sampling Digital Music and Culture, edited by Paul D. Miller, a.k.a. DJ Spooky That Subliminal Kid, 361–74. Cambridge, Mass: MIT Press. ISBN 978-0-262-63363-5
  • Olivier, Philippe. 2005. Pierre Boulez: Le maître et son marteau. Collection points d'orgue. Paris: Hermann, éditeurs des sciences et des arts. ISBN 2-7056-6531-5.
  • Orton, Richard, and Hugh Davies. 2001. "Ondes martenot". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Peyser, Joan. 1976. Boulez: Composer, Conductor, Enigma. New York: Schirmer Books. ISBN 0-02-871700-7; London: Cassell. ISBN 0-304-29901-4
  • Peyser, Joan. 1999. To Boulez and Beyond: Music in Europe Since the Rite of Spring, with a preface by Charles Worinen. New York: Billboard Books. ISBN 0-8230-7875-2. Revised edition, Lanham, MD: Scarecrow Press, 2008. ISBN 978-0-8108-5877-0
  • Steenhuisen, Paul. 2009. "Interview with Pierre Boulez". In Sonic Mosaics: Conversations with Composers. Edmonton: University of Alberta Press. ISBN 978-0-88864-474-9
  • Südwestrundfunk. n.d. "Donaueschinger Musiktage: Programme seit 1921: Programm des Jahres 1961". SWR website (Accessed 26 May 2013).
  • Vermeil, Jean. 1996. Conversations with Boulez: Thoughts on Conducting. Translated by Camille Nash, with a selection of programs conducted by Boulez and a discography by Paul Griffiths. Portland, Oregon: Amadeus Press. ISBN 1-57467-007-7

Kaynakça
  1. Joan Peyser (1976). Boulez: Composer, Conductor, Enigma. Schirmer Books. s. 7. ISBN 978-0-02-871700-5. A priest showed me around. At the chapel door he asked me if what he had been told was true: that Boulez no longer believed in God. I said it was and he replied, 'Then I won't show you the chapel where he prayed twice a day between the ages of six and sixteen.'
  2. "Pierre Boulez: A Master With Class". Inspired Minds. 29 Kasım 2014 tarihinde kaynağından arşivlendi. Erişim tarihi: 18 Ağustos 2009.

Dış bağlantılar
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